On March 15th CreativeFuture and the Creative Rights Caucus hosted an event on Capitol Hill called “Meet the Producers.” The event explored what it really means to be a producer, focusing attention on the process of how movies and television shows actually get made – and how piracy jeopardizes the livelihoods... Read more
By: Wayne Kramer
Fifth in the series. The day my most recent film, Pawn Shop Chronicles debuted on Video-On-Demand (which was on the same date as its theatrical release), the film was recorded in a perfect HD quality copy from one of its VOD rentals and illegally uploaded to the web. By the... Read more
By: Jane Clark and Bob Tourtellotte
Fourth in the series. We are independent filmmakers who thought we knew about piracy and its full impact until, of course, we didn’t. We had raised money, made movies on a budget, screened at festivals, marketed online, and purposefully released our films in the new world of electronic sales. With... Read more
By: Allison Burnett
Third in the series. These days, when only a tiny fraction of indie films are released theatrically, a small film’s primary hope of financial recoupment is through Pay Per View. My film’s producers and I were filled with optimism when the date of our film’s release arrived. Imagine, then, our... Read more
At last night’s Academy Awards®, Disney/Pixar’s Inside Out won the Oscar® for best animated feature. Director Pete Docter accepted the award on behalf of the Inside Out team and proceeded to deliver what was – at least for us – the best acceptance speech of the evening: “Anyone out there who’s... Read more
By: Valerie McCaffrey
Second in the series. I thought that being part of a film that could reach out across borders both in America and Armenia and could make people laugh would be a perfect venue for the film audience both here in the US and the world. Lost and Found in Armenia was... Read more
By: Lisa Hammer
First in the series. I have been an artist my whole life. I spent thousands of hours and dollars studying film-making, music, and acting. I have been creating my own work since the 80s and for many, many years I was able to make a good living as a filmmaker/musician.... Read more
‘The Hateful Eight’ producer Richard Gladstein weighs in on Google’s Fair Use defense. By Richard Gladstein “Fair Use” is an important exemption and distinction to copyright law. It permits non-copyright owners to engage in analysis, criticism, and parody of copyrighted material. It also grants permission to artists to build upon... Read more
YouTube creators aren’t immune from some of the same challenges facing more traditional media outlets. By Ruth Vitale This article originally appeared on LinkedIn Pulse. Some people are dying to see the new Star Wars: The Force Awakens (where is Luke Skywalker?), some are hooked on The Walking Dead... Read more
The Creativity Paradox: the creative work that brings us together is made by people who are often isolated and lonely. By Adam Leipzig The Creativity Paradox: the creative work that brings us together is made by people who are often isolated and lonely. Movies, TV shows, theatre, dance, visual art,... Read more